for multichannel electronics
Reflecting on the philosophical implications of polyphony, the piece pushes beyond traditional polyphonic instruments. While traditional instruments, like the piano, cannot truly create discrete polyphony due to their shared resonance, Eine kleine Studie der Polyphonie uses the array of 31 speakers to break this limitation. Each speaker functions like a distinct instrument, capable of independent tonal shaping, creating a truly polyphonic experience reminiscent of a choir of 31 singing speakers, each playing a strict electronic score. This approach aligns with a broader exploration of electroacoustic composition, where the synthesis of sound, its spatialization, and the live manipulation of these elements creates new forms of musical expression.
At its core, the piece serves as a "proof of concept," illustrating the potential of combining modern synthesis, experimental spatial sound techniques, and live performance. The integration of philosophy, technology, and creative experimentation demonstrates the future possibilities of electroacoustic music, where the boundaries of both sound and space are fluid and open to reinterpretation. The work continues to evolve, with future revisions planned to refine its structural and sonic elements further, ensuring that it reaches its fullest potential as an innovative and engaging piece for both performers and listeners alike.